.png "5 Easy Ukulele Chord Substitution Tricks")
Just follow these simple rules.
You will Learn More and Play More with Play Ukulele NOW.
Find out for yourself why teachers and students have depended on Play Ukulele NOW Methods and Songbooks since 2009
Find out for yourself why teachers and students have depended on Play Ukulele NOW Methods and Songbooks since 2009
DISCLOSURE: THIS POST MAY CONTAIN AFFILIATE LINKS, MEANING I GET A COMMISSION IF YOU DECIDE TO MAKE A PURCHASE THROUGH MY LINKS, AT NO COST TO YOU. PLEASE READ MY DISCLOSURE FOR MORE INFO.
Find all my chord related posts here: Chord Tips and Tricks
Here are some easy chord substitution tricks and links to related blog posts so you learn more about all of them...
Watch:
Do me a favor and 'like' the video on YouTube and post a comment (on YouTube) to let me know what you think - thanks!
Learn more...
Here's some notes on the different progressions in the video and links to more info...
When ever you substitute chords make sure the different notes don't clash with the vocal lines.
1. Family sub (iii) for the I
We follow the rule 'one equals three equals six' here. more in my chord families post on this. Em is the secondary relative minor of C.
1b. Family Sub (ii) for the IV
We follow the rule 'two equals four' here. more in my chord families post on this. Dm is the relative minor of F.
We now have a 'backcycle' here or a 'circle progression' meaning it moves backwards around the circle of 5th's.
I stick with the Dm from here forward (unless it's subbed). So the IV is now a ii.
2. Quality change for the vi
Rule: Any chord may be a dominant - this is a simple quality change; we can actually change the quality of any chord to a dominant. The C# leads better to the Dm, and the A7 is the secondary dominant of Dm.
I stick with the A7 from here forward (unless it's subbed).
2b. Quality change for the ii
Same rule as (2): Any chord may be a dominant - another simple quality change. The D7 is the secondary dominant of G7.
3 & 3b. Tritone subs for the V and VI
Tritone subs have a different flavor than other subs - They can be used for any chord - see my related post.
4. biii for or the vi
This is a wild one - we may sub a biii diminished for the vi chord.
5. iv7 - bVII7 for the ii7 - V7; it's a 'backdoor progression'
The bVII7 is the 'backdoor' to the I chord.
In the 'backdoor progression' we substitute two chords, a iv7 - bVII7 (both 'borrowed chords from the parallel minor) is substituted for the original ii - V in a ii - V - I progression. The iv7 is the ii chord of the bVII7.
You might say we've subbed a different ii - V for the original ii - V...
You can just sub the bVII (or bVII7) for the V chord in any progression if you like - That'd be a parallel minor sub; or you can slip them both in to any progression (the iv7 - bVII7) just before the I chord.
5b. #11 for the bVII7
A bVII7 with a #11 is often used for the 'backdoor progression' because it #11 is the 3rd of the tonic...
Now what?
You can mix and match these!
You can take any I sub, any VI sub, any IV sub and any V sub and mix and match them to create your own progression.
Now: Take this all to the next level check out these posts on chord substitution.
Chord substitution stuff:
Chord Substitution Tricks: Chord Families - How to substitute any chord for a completely different one
Chord Substitution Tricks: How to use the Tritone Substitute - Super easy and they sound amazing!
Chord Substitution Tricks: How to use the Tritone Substitute - Super easy and they sound amazing!
Have fun!
No comments:
Post a Comment